1 10 11 https://dh.scu.edu/exhibits/files/original/5d258f1eb168423122cad2c99534a464.jpg 4974586089cb44ccb0718bae0fc4c3e3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Venice: Crossroads of the World Creator An entity primarily responsible for making the resource de Maria, Blake Subject The topic of the resource Italy -- Venice Italy -- Venice -- Social life and customs Art -- Italian Europe -- Travel -- Early works to 1800 Italy -- Venice -- Gemstones Publisher An entity responsible for making the resource available Arth 11a/Arth 12a: Winter/Spring 2019 Contributor An entity responsible for making contributions to the resource Blake de Maria Description An account of the resource In 1501, upon learning the details of the voyage of Christopher Columbus, the State Historian of the Republic of Venice, Pietro Bembo offered the observation that “it really was a fine thing to encounter new lands-almost another world—and to place on record peoples who had been concealed and cut off from us.” Early Modern Venice boasted the most diverse population in Europe, if not the world. As a result, the visual culture of this waterborne Republic was influenced by the arts and civilizations of the Middle East, Asia, and the Americas. Through our study of this singular environment, this two-quarter sequence will address the experience of living in a multicultural state whose livelihood was based on global trade. We will investigate the ways in which the visual arts embraced and showcased Venice's diversity and apply our historical study to the global, multicultural society in which we live today. Date A point or period of time associated with an event in the lifecycle of the resource 421-2019 (ca.) Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant The Republic of Venice, from approximately 450 CE through the present day Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data printed frontispiece Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Coryat's Crudities Creator An entity primarily responsible for making the resource Coryat, Thomas Description An account of the resource early modern travel journal Publisher An entity responsible for making the resource available Folger Shakespeare Library Contributor An entity responsible for making contributions to the resource Blake de Maria Date A point or period of time associated with an event in the lifecycle of the resource 1611 (ca.) Type The nature or genre of the resource Still Image Source A related resource from which the described resource is derived Folger Shakespeare Library, Digital Image File 1382 Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant POINT(-9783.9396188185 6715020.0598622)|POINT(225030.61124055 6284526.71662)|POINT(1399103.3655374 5687706.3998524)|4|464737.1319095|5781418.1965170|osm Venice https://dh.scu.edu/exhibits/files/original/fdcdcd8b2b49abaa60e6e72305b0d978.jpg bec6127457c97ffeae89d1fa615e33b3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Venice: Crossroads of the World Creator An entity primarily responsible for making the resource de Maria, Blake Subject The topic of the resource Italy -- Venice Italy -- Venice -- Social life and customs Art -- Italian Europe -- Travel -- Early works to 1800 Italy -- Venice -- Gemstones Publisher An entity responsible for making the resource available Arth 11a/Arth 12a: Winter/Spring 2019 Contributor An entity responsible for making contributions to the resource Blake de Maria Description An account of the resource In 1501, upon learning the details of the voyage of Christopher Columbus, the State Historian of the Republic of Venice, Pietro Bembo offered the observation that “it really was a fine thing to encounter new lands-almost another world—and to place on record peoples who had been concealed and cut off from us.” Early Modern Venice boasted the most diverse population in Europe, if not the world. As a result, the visual culture of this waterborne Republic was influenced by the arts and civilizations of the Middle East, Asia, and the Americas. Through our study of this singular environment, this two-quarter sequence will address the experience of living in a multicultural state whose livelihood was based on global trade. We will investigate the ways in which the visual arts embraced and showcased Venice's diversity and apply our historical study to the global, multicultural society in which we live today. Date A point or period of time associated with an event in the lifecycle of the resource 421-2019 (ca.) Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant The Republic of Venice, from approximately 450 CE through the present day Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Account Book for Ducal Corno Creator An entity primarily responsible for making the resource Procurators of San Marco Subject The topic of the resource Italy -- Venice Italy -- Venice -- Social life and customs Italy -- Venice -- Gemstones Italy -- Venice -- Treasury of San Marco Source A related resource from which the described resource is derived Archivio di Stato di Venezia, Procuratori di San Marco di Supra, Chiesa, Atti, busta 79 Language A language of the resource Italian Relation A related resource Treasury of San Marco Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm 1555 Rights Information about rights held in and over the resource personal photo for research use Description An account of the resource Archival account book recording of the money spent on the creation of a new Ducal Corno in the year 1555. The Ducal Corno was the official crown worn by the Doge of Venice. The idea for the new Corno was originally suggested in the 1530s, but was not realized until 1555. Publisher An entity responsible for making the resource available Archivio di Stato di Venezia Contributor An entity responsible for making contributions to the resource de Maria, Blake Date A point or period of time associated with an event in the lifecycle of the resource 1555 Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource handwritten document Identifier An unambiguous reference to the resource within a given context _DSC0049.jpg Renaissance Italy Treasury of San Marco Venice https://dh.scu.edu/exhibits/files/original/4a89c988ac1c04b0e0060d825aeab086.jpg a084f805cd71cc6aaa918ce6d571e5bc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Venice: Crossroads of the World Creator An entity primarily responsible for making the resource de Maria, Blake Subject The topic of the resource Italy -- Venice Italy -- Venice -- Social life and customs Art -- Italian Europe -- Travel -- Early works to 1800 Italy -- Venice -- Gemstones Publisher An entity responsible for making the resource available Arth 11a/Arth 12a: Winter/Spring 2019 Contributor An entity responsible for making contributions to the resource Blake de Maria Description An account of the resource In 1501, upon learning the details of the voyage of Christopher Columbus, the State Historian of the Republic of Venice, Pietro Bembo offered the observation that “it really was a fine thing to encounter new lands-almost another world—and to place on record peoples who had been concealed and cut off from us.” Early Modern Venice boasted the most diverse population in Europe, if not the world. As a result, the visual culture of this waterborne Republic was influenced by the arts and civilizations of the Middle East, Asia, and the Americas. Through our study of this singular environment, this two-quarter sequence will address the experience of living in a multicultural state whose livelihood was based on global trade. We will investigate the ways in which the visual arts embraced and showcased Venice's diversity and apply our historical study to the global, multicultural society in which we live today. Date A point or period of time associated with an event in the lifecycle of the resource 421-2019 (ca.) Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant The Republic of Venice, from approximately 450 CE through the present day Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jeweled Corno Creator An entity primarily responsible for making the resource Grisoni, Isepo Subject The topic of the resource Ducal Corno Description An account of the resource 18th century watercolor depicting the Ducal Corno. The original corno was created in 1555 and dis-assembled in the early 19th century, making this rendering an invaluable resource for understanding the appearance of this destroyed object. Publisher An entity responsible for making the resource available London: The British Museum Date A point or period of time associated with an event in the lifecycle of the resource 1720 (ca) Type The nature or genre of the resource Image Format The file format, physical medium, or dimensions of the resource Height: 355 millimeters Width: 285 millimeters Identifier An unambiguous reference to the resource within a given context British Museum Regstration number: 1893,0411.10.15 Source A related resource from which the described resource is derived http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=706895&partId=1&people=122706&peoA=122706-2-10&page=3 Language A language of the resource English Relation A related resource Treasury of San Marco Rights Information about rights held in and over the resource British Museum https://dh.scu.edu/exhibits/files/original/db442e65c20d737b989f90e0cb07a2ed.jpg 295bdbf7e7f82457918dd3c3c020b903 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Venice: Crossroads of the World Creator An entity primarily responsible for making the resource de Maria, Blake Subject The topic of the resource Italy -- Venice Italy -- Venice -- Social life and customs Art -- Italian Europe -- Travel -- Early works to 1800 Italy -- Venice -- Gemstones Publisher An entity responsible for making the resource available Arth 11a/Arth 12a: Winter/Spring 2019 Contributor An entity responsible for making contributions to the resource Blake de Maria Description An account of the resource In 1501, upon learning the details of the voyage of Christopher Columbus, the State Historian of the Republic of Venice, Pietro Bembo offered the observation that “it really was a fine thing to encounter new lands-almost another world—and to place on record peoples who had been concealed and cut off from us.” Early Modern Venice boasted the most diverse population in Europe, if not the world. As a result, the visual culture of this waterborne Republic was influenced by the arts and civilizations of the Middle East, Asia, and the Americas. Through our study of this singular environment, this two-quarter sequence will address the experience of living in a multicultural state whose livelihood was based on global trade. We will investigate the ways in which the visual arts embraced and showcased Venice's diversity and apply our historical study to the global, multicultural society in which we live today. Date A point or period of time associated with an event in the lifecycle of the resource 421-2019 (ca.) Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant The Republic of Venice, from approximately 450 CE through the present day Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Treasury of San Marco, Venice (exterior) Creator An entity primarily responsible for making the resource The Republic of Venice Subject The topic of the resource Italy -- Venice Italy -- Venice -- Social life and customs Art -- Italian Italy -- Venice -- Gemstones Description An account of the resource The Treasury of San Marco is situated on the Northwest corner of the Basilica of San Marco in Venice. This photograph records the exterior of the Treasury. Originally constructed in the 11th century, the Treasury was significantly renovated in the early 16th century by Jacopo Sansovino. Contributor An entity responsible for making contributions to the resource de Maria, Blake Date A point or period of time associated with an event in the lifecycle of the resource 1100 - 2018 (ca) Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context _DSC0261.jpg Relation A related resource Treasury of San Marco Venice https://dh.scu.edu/exhibits/files/original/ad055284520bb22140b2897370eb3864.jpg 306a01305c5a17e72f048095a40dfc8e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Venice: Crossroads of the World Creator An entity primarily responsible for making the resource de Maria, Blake Subject The topic of the resource Italy -- Venice Italy -- Venice -- Social life and customs Art -- Italian Europe -- Travel -- Early works to 1800 Italy -- Venice -- Gemstones Publisher An entity responsible for making the resource available Arth 11a/Arth 12a: Winter/Spring 2019 Contributor An entity responsible for making contributions to the resource Blake de Maria Description An account of the resource In 1501, upon learning the details of the voyage of Christopher Columbus, the State Historian of the Republic of Venice, Pietro Bembo offered the observation that “it really was a fine thing to encounter new lands-almost another world—and to place on record peoples who had been concealed and cut off from us.” Early Modern Venice boasted the most diverse population in Europe, if not the world. As a result, the visual culture of this waterborne Republic was influenced by the arts and civilizations of the Middle East, Asia, and the Americas. Through our study of this singular environment, this two-quarter sequence will address the experience of living in a multicultural state whose livelihood was based on global trade. We will investigate the ways in which the visual arts embraced and showcased Venice's diversity and apply our historical study to the global, multicultural society in which we live today. Date A point or period of time associated with an event in the lifecycle of the resource 421-2019 (ca.) Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant The Republic of Venice, from approximately 450 CE through the present day Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cantino Planisphere Creator An entity primarily responsible for making the resource Unknown Description An account of the resource The Cantino Planisphere is the earliest known European cartographic representation depicting the Americas. Several details merit note, including the Tordesillas line - which divided control over the Americas between Spain and Portugal. Publisher An entity responsible for making the resource available https://en.wikipedia.org/wiki/Cantino_planisphere#/media/File:Cantino_planisphere_(1502).jpg Contributor An entity responsible for making contributions to the resource Cantino, Alberto Date A point or period of time associated with an event in the lifecycle of the resource 1502 Type The nature or genre of the resource Map Format The file format, physical medium, or dimensions of the resource 218 x 102 cm Identifier An unambiguous reference to the resource within a given context Cantino Planisphere Source A related resource from which the described resource is derived Modena, Biblioteca Estense Language A language of the resource English Rights Information about rights held in and over the resource Wikipedia, Public Domain https://dh.scu.edu/exhibits/files/original/8056dba7e75515177a908222cf3ccc4a.JPG cd9fddfc256f1f9bfcad5654d192213a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Venice: Crossroads of the World Creator An entity primarily responsible for making the resource de Maria, Blake Subject The topic of the resource Italy -- Venice Italy -- Venice -- Social life and customs Art -- Italian Europe -- Travel -- Early works to 1800 Italy -- Venice -- Gemstones Publisher An entity responsible for making the resource available Arth 11a/Arth 12a: Winter/Spring 2019 Contributor An entity responsible for making contributions to the resource Blake de Maria Description An account of the resource In 1501, upon learning the details of the voyage of Christopher Columbus, the State Historian of the Republic of Venice, Pietro Bembo offered the observation that “it really was a fine thing to encounter new lands-almost another world—and to place on record peoples who had been concealed and cut off from us.” Early Modern Venice boasted the most diverse population in Europe, if not the world. As a result, the visual culture of this waterborne Republic was influenced by the arts and civilizations of the Middle East, Asia, and the Americas. Through our study of this singular environment, this two-quarter sequence will address the experience of living in a multicultural state whose livelihood was based on global trade. We will investigate the ways in which the visual arts embraced and showcased Venice's diversity and apply our historical study to the global, multicultural society in which we live today. Date A point or period of time associated with an event in the lifecycle of the resource 421-2019 (ca.) Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant The Republic of Venice, from approximately 450 CE through the present day Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Interior, Treasury of San Marco Creator An entity primarily responsible for making the resource Unkown Subject The topic of the resource Italy -- Venice Art -- Italian Italy -- Venice -- Gemstones Description An account of the resource This photograph depicts the interior of the Treasury of San Marco as it exists in the 21st century. The display cabinets have changed over time, but other elements - including the West facing window which figures prominently in this photo - date to the 16th century and were designed by Jacopo Sansovino. Publisher An entity responsible for making the resource available http://mustseeplaces.eu/st-marks-basilica-venice-italy/ Date A point or period of time associated with an event in the lifecycle of the resource 1530-2018 (ca.) Type The nature or genre of the resource Image Identifier An unambiguous reference to the resource within a given context Interior_Treasury.jpg Language A language of the resource English https://dh.scu.edu/exhibits/files/original/1e76f4b4aaf430a79c6ffab417e854f5.jpg 8533a709d6ccf1b827084ac911361319 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Venice: Crossroads of the World Creator An entity primarily responsible for making the resource de Maria, Blake Subject The topic of the resource Italy -- Venice Italy -- Venice -- Social life and customs Art -- Italian Europe -- Travel -- Early works to 1800 Italy -- Venice -- Gemstones Publisher An entity responsible for making the resource available Arth 11a/Arth 12a: Winter/Spring 2019 Contributor An entity responsible for making contributions to the resource Blake de Maria Description An account of the resource In 1501, upon learning the details of the voyage of Christopher Columbus, the State Historian of the Republic of Venice, Pietro Bembo offered the observation that “it really was a fine thing to encounter new lands-almost another world—and to place on record peoples who had been concealed and cut off from us.” Early Modern Venice boasted the most diverse population in Europe, if not the world. As a result, the visual culture of this waterborne Republic was influenced by the arts and civilizations of the Middle East, Asia, and the Americas. Through our study of this singular environment, this two-quarter sequence will address the experience of living in a multicultural state whose livelihood was based on global trade. We will investigate the ways in which the visual arts embraced and showcased Venice's diversity and apply our historical study to the global, multicultural society in which we live today. Date A point or period of time associated with an event in the lifecycle of the resource 421-2019 (ca.) Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant The Republic of Venice, from approximately 450 CE through the present day Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Palazzo Ducale, Venice, South Facade Creator An entity primarily responsible for making the resource Quill, Sarah Subject The topic of the resource Italy -- Venice Architecture -- Italy -- Venice Italy--Venice--Social life and customs Description An account of the resource Construction of Palazzo Ducale began in 1340. This multipurpose building served as the seat of the government of the Republic of Venice as well as the personal residence of the elected leader of the Republic, the Doge of Venice. Identifier An unambiguous reference to the resource within a given context quill_00041_post_as_8b_srgb.fpx Source A related resource from which the described resource is derived http://library.artstor.org/#/asset/QUILL_1039907999;groupId=2fa3d7a5-d732-4f6d-a9d5-b0b492fea4d6 Language A language of the resource English https://dh.scu.edu/exhibits/files/original/64b804579ebd4e70feab07335461bc1c.jpg 2f5c14f85bd16ae83eff693fcfc05fc0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Venice: Crossroads of the World Creator An entity primarily responsible for making the resource de Maria, Blake Subject The topic of the resource Italy -- Venice Italy -- Venice -- Social life and customs Art -- Italian Europe -- Travel -- Early works to 1800 Italy -- Venice -- Gemstones Publisher An entity responsible for making the resource available Arth 11a/Arth 12a: Winter/Spring 2019 Contributor An entity responsible for making contributions to the resource Blake de Maria Description An account of the resource In 1501, upon learning the details of the voyage of Christopher Columbus, the State Historian of the Republic of Venice, Pietro Bembo offered the observation that “it really was a fine thing to encounter new lands-almost another world—and to place on record peoples who had been concealed and cut off from us.” Early Modern Venice boasted the most diverse population in Europe, if not the world. As a result, the visual culture of this waterborne Republic was influenced by the arts and civilizations of the Middle East, Asia, and the Americas. Through our study of this singular environment, this two-quarter sequence will address the experience of living in a multicultural state whose livelihood was based on global trade. We will investigate the ways in which the visual arts embraced and showcased Venice's diversity and apply our historical study to the global, multicultural society in which we live today. Date A point or period of time associated with an event in the lifecycle of the resource 421-2019 (ca.) Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant The Republic of Venice, from approximately 450 CE through the present day Dataset Data encoded in a defined structure. Examples include lists, tables, and databases. A dataset may be useful for direct machine processing. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Juno Showering Gifts on Venice Creator An entity primarily responsible for making the resource Veronese, Paolo Subject The topic of the resource Art -- Venice -- Italy Painting -- Italy -- Venice Renaissance -- Art -- Italy Description An account of the resource This painting is one of multiple ceiling paintings created by Paolo Veronese for the Room of the Council of Ten Palazzo Ducale, Venice. The government officials who met in this room had multiple responsibilities, including control over access to the Treasury of San Marco. This authority helps explain the representation of jewels in the painting, especially the importance of the Ducal Corno. Contributor An entity responsible for making contributions to the resource Scala Archives Date A point or period of time associated with an event in the lifecycle of the resource 1553 Type The nature or genre of the resource Painting Format The file format, physical medium, or dimensions of the resource 365 x 147 cm Identifier An unambiguous reference to the resource within a given context SCALA_ARCHIVES_1039929962.jpg Source A related resource from which the described resource is derived Artstor Language A language of the resource English Relation A related resource Palazzo Ducale, Venice https://dh.scu.edu/exhibits/files/original/2b0974fcd340fcb2aa7019f42434f20b.jpg d3a61e5d31a9068dc56f183960d132cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Venice: Crossroads of the World Creator An entity primarily responsible for making the resource de Maria, Blake Subject The topic of the resource Italy -- Venice Italy -- Venice -- Social life and customs Art -- Italian Europe -- Travel -- Early works to 1800 Italy -- Venice -- Gemstones Publisher An entity responsible for making the resource available Arth 11a/Arth 12a: Winter/Spring 2019 Contributor An entity responsible for making contributions to the resource Blake de Maria Description An account of the resource In 1501, upon learning the details of the voyage of Christopher Columbus, the State Historian of the Republic of Venice, Pietro Bembo offered the observation that “it really was a fine thing to encounter new lands-almost another world—and to place on record peoples who had been concealed and cut off from us.” Early Modern Venice boasted the most diverse population in Europe, if not the world. As a result, the visual culture of this waterborne Republic was influenced by the arts and civilizations of the Middle East, Asia, and the Americas. Through our study of this singular environment, this two-quarter sequence will address the experience of living in a multicultural state whose livelihood was based on global trade. We will investigate the ways in which the visual arts embraced and showcased Venice's diversity and apply our historical study to the global, multicultural society in which we live today. Date A point or period of time associated with an event in the lifecycle of the resource 421-2019 (ca.) Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant The Republic of Venice, from approximately 450 CE through the present day Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Column of St. Mark, Venice Subject The topic of the resource Italy--Venice Venice--St. Mark Venice--Piazza San Marco Description An account of the resource This is one of two columns located in the so-called "Piazzetta" of San Marco. It depicts a winged lion, the evangelical symbol of Venice's patron saint, Mark. The sculpture itself was fashioned in the 4th - 3rd century B.C.E. but was renamed St. Mark and placed in Venice in the 13th century C.E. Publisher An entity responsible for making the resource available Kessler, William Identifier An unambiguous reference to the resource within a given context AWSS35953_35953_34202881.jpg Source A related resource from which the described resource is derived Artstor_SSID 16066655 https://dh.scu.edu/exhibits/files/original/33f2761b959962a1879d262299557549.jpg 52b218652ce0d08db2fb1af5a06b8077 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Venice: Crossroads of the World Creator An entity primarily responsible for making the resource de Maria, Blake Subject The topic of the resource Italy -- Venice Italy -- Venice -- Social life and customs Art -- Italian Europe -- Travel -- Early works to 1800 Italy -- Venice -- Gemstones Publisher An entity responsible for making the resource available Arth 11a/Arth 12a: Winter/Spring 2019 Contributor An entity responsible for making contributions to the resource Blake de Maria Description An account of the resource In 1501, upon learning the details of the voyage of Christopher Columbus, the State Historian of the Republic of Venice, Pietro Bembo offered the observation that “it really was a fine thing to encounter new lands-almost another world—and to place on record peoples who had been concealed and cut off from us.” Early Modern Venice boasted the most diverse population in Europe, if not the world. As a result, the visual culture of this waterborne Republic was influenced by the arts and civilizations of the Middle East, Asia, and the Americas. Through our study of this singular environment, this two-quarter sequence will address the experience of living in a multicultural state whose livelihood was based on global trade. We will investigate the ways in which the visual arts embraced and showcased Venice's diversity and apply our historical study to the global, multicultural society in which we live today. Date A point or period of time associated with an event in the lifecycle of the resource 421-2019 (ca.) Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant The Republic of Venice, from approximately 450 CE through the present day Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Basilica of San Marco, Venice Creator An entity primarily responsible for making the resource Republic of Venice Subject The topic of the resource Italy--Venice Architecture--Italy--Venice Italy--Venice--St. Mark Venice--Piazza San Marco Description An account of the resource The Basilica of San Marco served as the spiritual heart of the Republic of Venice. Technically the private chapel of the leader of Venice -- the Doge -- this church houses the remains of the city's patron saint, Mark. Contrary to popular belief, San Marco is not a cathedral. The cathedral of Venice, San Pietro di Castello - is located far outside the city center. This peripheral location was intended to marginalize the importance of the papacy within the city's urban fabric.