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                <text>Venice: Crossroads of the World</text>
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                <text>de Maria, Blake</text>
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                <text>Italy -- Venice</text>
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                <text>Italy -- Venice  -- Social life and customs</text>
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                <text>Art -- Italian</text>
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                <text>Europe -- Travel -- Early works to 1800</text>
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                <text>Italy -- Venice -- Gemstones</text>
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                <text>Arth 11a/Arth 12a: Winter/Spring 2019</text>
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                <text>Blake de Maria</text>
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                <text>In 1501, upon learning the details of the voyage of Christopher Columbus, the State Historian of the Republic of Venice, Pietro Bembo offered the observation that “it really was a fine thing to encounter new lands-almost another world—and to place on record peoples who had been concealed and cut off from us.” Early Modern Venice boasted the most diverse population in Europe, if not the world.  As a result, the visual culture of this waterborne Republic was influenced by the arts and civilizations of the Middle East, Asia, and the Americas.  Through our study of this singular environment, this two-quarter sequence will address the experience of living in a multicultural state whose livelihood was based on global trade. We will investigate the ways in which the visual arts embraced and showcased Venice's diversity and apply our historical study to the global, multicultural society in which we live today.  </text>
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                <text>421-2019 (ca.)</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>The Republic of Venice, from approximately 450 CE through the present day</text>
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          <name>Title</name>
          <description>A name given to the resource</description>
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              <text>Account Book for Ducal Corno </text>
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          <description>An entity primarily responsible for making the resource</description>
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              <text>Procurators of San Marco</text>
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              <text>Italy -- Venice</text>
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              <text>Italy -- Venice -- Treasury of San Marco</text>
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              <text>Archivio di Stato di Venezia, Procuratori di San Marco di Supra, Chiesa, Atti, busta 79</text>
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              <text>Treasury of San Marco</text>
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              <text>||||osm&#13;
1555</text>
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          <name>Rights</name>
          <description>Information about rights held in and over the resource</description>
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              <text>personal photo for research use</text>
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              <text>Archival account book recording of the money spent on the creation of a new Ducal Corno in the year 1555.  The Ducal Corno was the official crown worn by the Doge of Venice.  The idea for the new Corno was originally suggested in the 1530s, but was not realized until 1555.</text>
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              <text>Archivio di Stato di Venezia</text>
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              <text>de Maria, Blake</text>
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