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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Venice: Crossroads of the World</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>de Maria, Blake</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Italy -- Venice</text>
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              <elementText elementTextId="273">
                <text>Italy -- Venice  -- Social life and customs</text>
              </elementText>
              <elementText elementTextId="274">
                <text>Art -- Italian</text>
              </elementText>
              <elementText elementTextId="275">
                <text>Europe -- Travel -- Early works to 1800</text>
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              <elementText elementTextId="305">
                <text>Italy -- Venice -- Gemstones</text>
              </elementText>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Arth 11a/Arth 12a: Winter/Spring 2019</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Blake de Maria</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>In 1501, upon learning the details of the voyage of Christopher Columbus, the State Historian of the Republic of Venice, Pietro Bembo offered the observation that “it really was a fine thing to encounter new lands-almost another world—and to place on record peoples who had been concealed and cut off from us.” Early Modern Venice boasted the most diverse population in Europe, if not the world.  As a result, the visual culture of this waterborne Republic was influenced by the arts and civilizations of the Middle East, Asia, and the Americas.  Through our study of this singular environment, this two-quarter sequence will address the experience of living in a multicultural state whose livelihood was based on global trade. We will investigate the ways in which the visual arts embraced and showcased Venice's diversity and apply our historical study to the global, multicultural society in which we live today.  </text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="293">
                <text>421-2019 (ca.)</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>The Republic of Venice, from approximately 450 CE through the present day</text>
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      <name>Dublin Core</name>
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        <element elementId="50">
          <name>Title</name>
          <description>A name given to the resource</description>
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              <text>Jeweled Corno</text>
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          <name>Creator</name>
          <description>An entity primarily responsible for making the resource</description>
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              <text>Grisoni, Isepo</text>
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          <name>Subject</name>
          <description>The topic of the resource</description>
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              <text>Ducal Corno</text>
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        <element elementId="41">
          <name>Description</name>
          <description>An account of the resource</description>
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              <text>18th century watercolor depicting the Ducal Corno.  The original corno was created in 1555 and dis-assembled in the early 19th century, making this rendering an invaluable resource for understanding the appearance of this destroyed object.</text>
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        <element elementId="45">
          <name>Publisher</name>
          <description>An entity responsible for making the resource available</description>
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              <text>London: The British Museum</text>
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          <name>Date</name>
          <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <text>1720 (ca)</text>
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          <name>Type</name>
          <description>The nature or genre of the resource</description>
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              <text>Image</text>
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          <name>Format</name>
          <description>The file format, physical medium, or dimensions of the resource</description>
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            <elementText elementTextId="360">
              <text>Height: 355 millimeters&#13;
Width: 285 millimeters</text>
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        <element elementId="43">
          <name>Identifier</name>
          <description>An unambiguous reference to the resource within a given context</description>
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              <text>British Museum Regstration number: 1893,0411.10.15</text>
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        <element elementId="48">
          <name>Source</name>
          <description>A related resource from which the described resource is derived</description>
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            <elementText elementTextId="362">
              <text>http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=706895&amp;partId=1&amp;people=122706&amp;peoA=122706-2-10&amp;page=3</text>
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          <name>Language</name>
          <description>A language of the resource</description>
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              <text>English</text>
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          <name>Relation</name>
          <description>A related resource</description>
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              <text>Treasury of San Marco</text>
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        <element elementId="47">
          <name>Rights</name>
          <description>Information about rights held in and over the resource</description>
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              <text>British Museum</text>
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