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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Venice: Crossroads of the World</text>
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            <name>Creator</name>
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                <text>de Maria, Blake</text>
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            <description>The topic of the resource</description>
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                <text>Italy -- Venice</text>
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                <text>Italy -- Venice  -- Social life and customs</text>
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                <text>Art -- Italian</text>
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                <text>Europe -- Travel -- Early works to 1800</text>
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                <text>Italy -- Venice -- Gemstones</text>
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            <name>Publisher</name>
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                <text>Arth 11a/Arth 12a: Winter/Spring 2019</text>
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            <name>Contributor</name>
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                <text>Blake de Maria</text>
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                <text>In 1501, upon learning the details of the voyage of Christopher Columbus, the State Historian of the Republic of Venice, Pietro Bembo offered the observation that “it really was a fine thing to encounter new lands-almost another world—and to place on record peoples who had been concealed and cut off from us.” Early Modern Venice boasted the most diverse population in Europe, if not the world.  As a result, the visual culture of this waterborne Republic was influenced by the arts and civilizations of the Middle East, Asia, and the Americas.  Through our study of this singular environment, this two-quarter sequence will address the experience of living in a multicultural state whose livelihood was based on global trade. We will investigate the ways in which the visual arts embraced and showcased Venice's diversity and apply our historical study to the global, multicultural society in which we live today.  </text>
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                <text>421-2019 (ca.)</text>
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                <text>English</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>The Republic of Venice, from approximately 450 CE through the present day</text>
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          <name>Title</name>
          <description>A name given to the resource</description>
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              <text>Juno Showering Gifts on Venice</text>
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          <name>Creator</name>
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              <text>Veronese, Paolo</text>
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          <description>The topic of the resource</description>
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              <text>Art -- Venice -- Italy&#13;
Painting -- Italy -- Venice&#13;
Renaissance -- Art -- Italy</text>
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              <text>This painting  is one of multiple ceiling paintings created by Paolo Veronese for the Room of the Council of Ten Palazzo Ducale, Venice.  The government officials who met in this room had multiple responsibilities, including control over access to the Treasury of San Marco.  This authority helps explain the representation of jewels in the painting, especially the importance of the Ducal Corno.</text>
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        <element elementId="37">
          <name>Contributor</name>
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              <text>Scala Archives</text>
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          <name>Date</name>
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              <text>1553</text>
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              <text>Painting</text>
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          <name>Format</name>
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              <text>365 x 147 cm</text>
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          <name>Identifier</name>
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              <text>SCALA_ARCHIVES_1039929962.jpg</text>
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          <name>Source</name>
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              <text>Artstor</text>
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              <text>Palazzo Ducale, Venice</text>
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