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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Venice: Crossroads of the World</text>
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            <name>Creator</name>
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                <text>de Maria, Blake</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Italy -- Venice</text>
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                <text>Italy -- Venice  -- Social life and customs</text>
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                <text>Art -- Italian</text>
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                <text>Europe -- Travel -- Early works to 1800</text>
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              <elementText elementTextId="305">
                <text>Italy -- Venice -- Gemstones</text>
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            <name>Publisher</name>
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                <text>Arth 11a/Arth 12a: Winter/Spring 2019</text>
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            <name>Contributor</name>
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                <text>Blake de Maria</text>
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                <text>In 1501, upon learning the details of the voyage of Christopher Columbus, the State Historian of the Republic of Venice, Pietro Bembo offered the observation that “it really was a fine thing to encounter new lands-almost another world—and to place on record peoples who had been concealed and cut off from us.” Early Modern Venice boasted the most diverse population in Europe, if not the world.  As a result, the visual culture of this waterborne Republic was influenced by the arts and civilizations of the Middle East, Asia, and the Americas.  Through our study of this singular environment, this two-quarter sequence will address the experience of living in a multicultural state whose livelihood was based on global trade. We will investigate the ways in which the visual arts embraced and showcased Venice's diversity and apply our historical study to the global, multicultural society in which we live today.  </text>
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                <text>421-2019 (ca.)</text>
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                <text>The Republic of Venice, from approximately 450 CE through the present day</text>
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          <name>Title</name>
          <description>A name given to the resource</description>
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              <text>Basilica of San Marco, Venice</text>
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          <name>Creator</name>
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              <text>Republic of Venice</text>
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              <text>Italy--Venice&#13;
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              <text>Italy--Venice--St. Mark&#13;
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              <text>Venice--Piazza San Marco</text>
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              <text>The Basilica of San Marco served as the spiritual heart of the Republic of Venice. Technically the private chapel of the leader of Venice -- the Doge -- this church houses the remains of the city's patron saint, Mark.  Contrary to popular belief, San Marco is not a cathedral.  The cathedral of Venice, San Pietro di Castello - is located far outside the city center.  This peripheral location was intended to marginalize the importance of the papacy within the city's urban fabric.</text>
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